In the article through theoretical and textual combinations is examined Ghevond Alishan’s role in the field of Armenian New Period Literature at his beginning and developing areas. Especially is emphasized the way from Classicism to Romanticism, European literature influences (Byron, Schiller, Lamartine, Chateaubriand), Alishan’s connections to Armenian post-coming Literature and estimations of his works (Daniel Varuzhan, Hakob Oshakan and others).